Shanhai World — the 340 m² sand table in exhibition, thousands of figures on a painted terrain

Shanhai World

A civilisation made physical — over eight hundred hand-built figures, a 340 m² terrain, a world you can walk around.

Year
2012 – ongoing
Status
Exhibited · Ongoing
Form
Ceramic · Sculpture · Installation · Spatial
Materials
Hand-built ceramic; gold-finished figure studies; painted terrain; light
Dimensions
809 figures to date · sand table 340 m² · scalable from a single tabletop terrace to a hall

The work

The Classic of Mountains and Seas is not a bestiary. It is the record of an early people surveying heaven and earth — mountains, rivers, minerals, plants, peoples and the creatures that stood at the edges of what they knew. Shanhai World takes that survey and makes it physical: every place, animal, plant and ancestor in the text is given a form, and the forms are set on a terrain so that the book can be walked.

The first 809 figures were modelled by hand in clay, scanned at 0.02 mm and re-materialised so that the same form can be produced in ceramic, bronze, resin or stone at any scale. The complete world will be ceramic — because in Chinese the word for porcelain and the word for the country are the same.

Shanhai World — gold-finished figures on a sand table under raking light
Shanhai World — figures on hexagonal terraces in the dark
Figure studies on hexagonal wood bases — macro
Figure studies climbing stacked hexagonal bases
Shanhai World — gold-finished figures in the studio
Figure studies — overhead view
A row of figure studies
Figure studies with a ceremonial staff
Lu Renjie in the studio among hundreds of unglazed ceramic figures

Cultural source

Shanhai Jing (Classic of Mountains and Seas), the Five Treasuries of Mountains and the Classic of Seas — geography, fauna, flora, minerals and ancestral genealogies.

The 809 forms constitute the atelier's Form System; the 3,407 totems and 420 bronze-script phrases painted on the terrain are its Totem and Bronze-script Systems.

The artist's transformation

Nothing here is a reproduction of a historical image. Each figure is Lu Renjie's own reading of a line of text — the posture of Yan Di, the tail of Zouyu, the nine tails of the fox — rendered in a single, consistent sculptural language that reads as one world rather than a collection of illustrations.

Making

Clay → laser scan → master model → mould → ceramic / cast bronze / resin → finish (gold, patina or unglazed) → hexagonal timber terraces → terrain painting → light.

Scale & variation

A single terrace with three figures for a desk; a 2–6 m terrain for a lobby or private gallery; a full hall for an exhibition, hotel or museum. Every scale uses the same forms.

Placement

Lobbies, private galleries, boardrooms, cultural destinations, hotel public spaces.

Certificate & provenance

Every completed commission is delivered with a certificate of authenticity, a unique work ID, a cultural source note and a making record, and is entered into the atelier's private provenance archive.

Commission

Commission a work in this direction

Made to order, price on request; installations are project-based.

Related works